Ready-made : unsconcious material

The Duchampian ready-made applied to experimental film practices can be seen from the point of view of the purely material characteristics of the medium. The works presented in this programme seem like the involuntary and even unconscious product of a creative process that depends on the technological specificities of the medium: development, printing, degradation, etc. The place given to the artist's action disappears in favour of a revelation of the film material itself.With Wilhelm Hein and Raphaël Henard.