Fragments de la trame terrestre
1962 - 1966
Fragments de la trame terrestre
1962 - 1966
Painter, sculptor, architect and urbanist, Marino Di Teana first spoke of "spatial architecture" in 1957. “All my sculptures are architectural models. Sculpture and architecture can’t be separated”, he declared. In the early 1960s, he developed proposals for a flexible grid covering the whole world and a spiral road system for Paris. In 1976, Di Teana showed a group of sculptures/models at the Musée d’Art Moderne de la Ville de Paris: Les Villes du futur (Cities of the Future) figure a utopian agglomeration in whose simple geometric forms sculpture and architecture mutually inform each other.
Domain | Dessin d'architecture |
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Techniques | Films auto-adhésifs au verso, encre de Chine et graphite sur calque |
Dimensions | 90,5 x 109 cm |
Acquisition | Don de l'artiste, 2003 |
Inventory no. | AM 2003-2-328 |
Is part of the set |
Urbanisme en spirale (Dissociable set of artworks) |
Detailed description
Artist |
Marino di Teana (Francesco Marino, dit)
(1920, Italie - 2012, France) | |
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Main title | Fragments de la trame terrestre | |
Creation date | 1962 - 1966 | |
Is part of the set | Urbanisme en spirale (Dissociable set of artworks) 1962-1968 | |
Domain | Dessin d'architecture | |
Description | Plan et coupe | |
Techniques | Films auto-adhésifs au verso, encre de Chine et graphite sur calque | |
Dimensions | 90,5 x 109 cm | |
Acquisition | Don de l'artiste, 2003 | |
Collection area | Architecture | |
Inventory no. | AM 2003-2-328 |