Maud Le Pladec

“Like guides through the labyrinth of an unstable architecture, two dancers and a musician interact with the fictions of sound. Their gestures, precise as scalpels, follow each tempo, glide over discordant strings, vibrate with the distortions. Threading their way between rhythms and images, they call on a physical sensitivity to aural material in a mysterious form between moving concert and auditory choreography.” G. Amalvi. A performer, whose talent was spotted by choreographers Mathilde Monnier and Boris Charmatz, with Professor Maud Le Pladec explores the relationship between dance and music, literally making musical composition visible.